TASK |
Based on the terminology and examples introduced during this session, extend your awareness of the diversity of print production methods in relation to professional design practices discussed. See how this impacts on what you have learnt so far and how it might affect your personal interpretation of print issues around the 4 core areas below.
|
Research Sources / Further Information |
LOOK AT: How the Pantone Matching System (PMS) works. What exciting alternatives different stock/substrates can provide in terms of options. How you might collaborate/interact with specialists How the same problem might be solved in different ways. |
Mandatory Requirements / Deliverables |
A series of posts to your Design Context blog. demonstrating an in depth investigation into Design for print in relation to the 4 areas outlined above. Significant critical evaluation of the knowledge and examples identified through your research including informed reasons for their selection.
BRANDING AND IDENTITY
A possible collaboration
To use an old sealing method alongside modern graphic design and its printing methods
Embossing (blind)
Duplex
Die cut
Foil blocking
die cut
Die cut
PACKAGING AND PROMOTION
Spot gloss, black on black
PUBLISHING AND EDITORIAL
Saddle stitch bound
Letterpress
Concertina book
Lino cuts
It has a slip case which is covered with an ink jet printed leafy motif, matching some of the imagery of the lino print.
Letterpress calendar
INFORMATION AND WAYFINDING
|
Monday, 21 November 2011
OUGD201 - STUDY TASK 4 - Specialist productions and definitions
Labels:
'good is?',
ougd201,
study task 4
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment